The design is consistent with the theme of the overall store – streetwear.Designs that accommodate text must not contain spelling mistake (except designed on purpose).The design is approved by at least 2 of our designers.We try our best to prevent elements that symbolize sexism, racism, or other extreme beliefs.We do not allow counterfeits or designs that are not original to be listed on our site. Knockoffs and fakes are strictly prohibited.Below is a shortened version of our standards: We want to openly share these details with you. ![]() We have 47 criteria in place to ensure only the best of the best gets listed on our website. Our designer team examines the entire clothing selection piece by piece and into the very details. The ultimate goal and guiding principle of our quality standard are "to enable our customers to shop with their eyes closed," and to have ZERO concern when shopping in our store. Clothing has become a medium in which people express themselves. Today, what you wear speaks to who you are. The PROJECTISR Ideology - Clothing Is A Form Of Usable Art: That’s why our slogan is #streetweardeservesbetterquality That’s why we created PROJECTISR and the 47-point-standard criteria to select the best of the best streetwear from the hundreds we consider every week. We shouldn’t sacrifice one for the other. While we love these brands because of their design and the vibe, we also believe that quality and design are equally important. However, going through all these years, loving the vibe that these brands created, one thing we were really annoyed with is their quality. ![]() We were the very kids who sat in front of the computers every Thursday and Friday, waiting for Supreme and Palace to drop. Growing up, we have been enthusiastic about fashion, especially streetwear. The PROJECTISR Pursuit - Streetwear Deserves Better Quality: Model is 172 cm / 5' 7.72'' | 50 kg / 110.2 lbs wearing size Mįor US Customers: Tax-Free | Duty Fees May Be Assessed For Orders Over $800įor International Customers | Duties And Import Taxes May Be Collected Upon Deliveryġ4 DAYS FREE RETURN AND EXCHANGE ON ALL PRODUCTS While St Art India’s experiments are evidently rooted in social activism and urban design, they mark a significant moment in the historic timeline of the application of street art in cities: the initiative involves what it believes to be a first-of-its-kind engagement between street artists and the government.Coco-sheep graffiti graphics t-shirt with premium 100% cotton fabric. Primarily working within residential neighborhoods-they are touted with the creation of the country’s first public art district in Lodhi Colony, Delhi-the foundation has also collaborated with metro-rail corporations to enliven transit-spaces. The organization’s recent work in the Indian metropolises of Delhi, Mumbai, Hyderabad, and Bengaluru, has resulted in a popular reclamation of the cities’ civic spaces and a simultaneous transformation of their urban fabric. Last month, ArchDaily had an opportunity to speak with Akshat Nauriyal, Content Director at Delhi-based non-profit St Art India Foundation which aims to do exactly what its name suggests-to embed art in streets. The Origin of the World by Borondo, Lodhi Colony, Delhi. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here. How do street art practices resonate through the digital world, and how do we trace such resonance back to the street? More generally, what happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Andrea Baldini (Nanjing University) reflects on the role that the Internet, and social networks, in particular, have had in boosting the circulation of graffiti and street art and, in turn, their communicative and denouncing power.įor the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. Sustainability and Performance in ArchitectureĪ photograph taken in April 2017 and shared through Instagram of a sticker by the French street artist Invader. ![]() The Future of Architectural Visualization
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